Project Management

It’s always there, the admin. I’ve managed to load up all the photos from my phone and now was seems to be an everlasting task of sorting them is going on. That includes research and poetry events/publicity photos. Never. Ending.

It has been an interesting few months in terms of where the work is going. The last of  the research trips to Dublin that were funded by the Arts Council of Ireland Agility Award took place in October. It coincided with the opening of a new exhibition at the Chester Beatty about early papyrii and texts. The First Fragments exhibition is still running and you can find more details here. The then head curator Kristine Rose-Beers took me on a tour, and then she and her colleagues welcomed me to their conservation room. Kristine has moved to a new position with Cambridge University. I’m so grateful to her for her hospitality at a busy time in the museum, and I wish her all the best with the new job. The conservation room visit ,in itself, has yielded a new poem!

I also revisited the Art of the Book gallery, which hosts a variety of treasures: old tablets and a stylus, Japanese and Chinese scrolls, early and mediaeval books, Durer prints, along with other 18th and 19th century prints, and many books. I have taken a LOT of photos as part of my research – purely to keep my memory working. There was time at the Silk Road Café – as always! – to take a break and make some immediate notes.  Probably a third of the poetry collection has been sketched out; between my notes, photos and the online lectures from the Chester Beatty I have definitely enough material to see me through.

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Last autumn also saw the publication of Vital Signs, Poems of Illness and Healing, edited by Martin Dyar, and published by Poetry Ireland. It is the first time a poem of mine has been anthologised without my having submitted it, and I was chuffed to bits – especially when I saw the company I was keeping!

It’s a wonderful volume, and would make a great gift.  There’s a fine selection of modern Irish poets and also poems from other countries and eras. Thanks to Martin for including my poem ‘My Grandfather Battles Death’, from my first collection This Little World.  I travelled up for the launch in Dublin at Books Upstairs, and took part in a featured reading from the anthology in February this year at the University of Limerick with poets Victoria Kennefick, Eoin Devereux, writer Donal Ryan, and Martin Dyar. It was a lovely event, ably hosted by Eoin and supported by Liz Kelly, the director of Poetry Ireland.

The new year started in an interesting way. But that’s another story!

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Editor, Martin Dyar, speaking at the launch of Vital Signs

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So Much To Choose From, So Much to Do

Well, loveens, how are you all?

During these strange COVID times it sometimes feels as if my writer’s mind has been running mad in all directions, and with very little new work to show for its activity. The ideas are coming; sometimes at ungodly hours in the early morning. Other times, they are like the birds in my garden flitting from feeder to feeder – using up too much energy without anything to show for it. There are a couple of extended poems working their way through. The long-term project is still at research stage, but every engagement brings a strand or an-almost-idea brushing past my inner eye.

The one thing we writers are all familiar with now is the ‘online life’: whether it is one of shared readings, attending festivals, workshops, or book launches. I started with a sheet of paper last year: just a small list of events lying on the kitchen table to remind me what was coming up on any particular day. That scrawled list has grown to a closely written five pages.  I’m booked into April, and there’s no end in sight!

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This morning’s offering was from the Mountains to Sea DLR Festival in Dublin. Poetry readings from Paula Meehan and Tishani Doshi, with a discussion hosted by Doireann Ní Bhriain.  It was just marvellous. The readings were full of light and heft – the discussion clear and generous. What I loved so much was the grounded knowledge that both of these women have: knowledge of their craft; a solid sense of their creative selves as artists – both within the spaces in which they make their work, and in their relationships with the outer world. I could have listened to them all day.

Mountains to Sea Festival 27 Mar 2021

Looking through my nine months-long list, I’ve ‘attended’ lectures and seminars from Cambridge Literature Online, our National Library’s Seamus Heaney exhibition centre, the Heaney Home Place, Berkley University for a Classics lecture from Mary Beard, and the University of Manchester for lectures by Michael Wood and David Olusoga. I’ve dropped into Liverpool’s Arab Festival to hear one of my favourites, Tim Mackintosh-Smith, chat with Denyse Woods about his ‘3000 Years of Arab History’, while catching up with Samantha Power chatting to Olivia O’Leary at the Kilkenny Festival. Not to mention taking in the performance at that festival of the dramatisation of Mike McCormack’s ‘Solar Bones’.

There are been workshops for writing practitioners, workshops about reviewing poetry, writing poetry, a film about the Brontes, Roy Foster from New York, war poetry in November from the War Poetry Society in England. I’ve continued with my own research thanks to webinars from the Cheater Beatty in Dublin on subjects such as MSS conservation, Japanese fudos, and the story of Beatty’s collection of medieval Books of Hours. The business side of things has been attending funding/bursary information sessions. Can’t let that side of things slide, can we?!

In the last month, I made my first poetry video which was broadcast as one of the shortlisted poems at the 2021 Trim Poetry Festival (online again this year). And a spur of the moment entry to the Cercle Littéraire Irlandais Writing Women competition saw me reading as a finalist, ‘in Paris’, at the end of the magnificent evening hosting the French Cultural Minister’s awarding of the Ordre des Arts et Lettres to Edna O’Brien. It was such a moving event: it’s worth watching the ceremony here. Edna is one mighty woman. Her speech was superb.

The wee bonus was that my parents were zooming in to watch, so there was great excitement when it was announced that I had won the competition.  It was my mother’s first Zoom experience. My sister-in-law said she was still hyper about it days later. Every little thing helps to break the lockdown monotony!

This week, I took a poetry workshop from Birmingham with Liz Berry. And to give the whirling dervish that is my poetry head a bit of time out, I’ve begun four weeks of short fiction workshops (live from Cork!) with Billy O’Callaghan. If you haven’t read Billy’s work, off you go and check out his novels and short stories.

I’ve a date with Hilary Mantel in April. It’s mind-boggling, this zooming around the world. It can be a distraction, but I’m hearing wonderful ideas and work. Some of it is free, some of it paid for. But I know that living in the wild west of Ireland, at the edge of Europe, it would have cost me a fortune to attend some of these events in person. It’s a strange gift that the pandemic has given me. It’s a lonely gift much of the time. But then, at a book launch, or a reading like the one this week by poets Nessa O’Mahony and Eleanor Hooker, familiar names pop up in the chat and comments.

Our little band, our community of writers, is out there: sharing the moments; wrapped in comfort blankets of words and online fellowship.

As dear Sam put it: [We’ll] go on.

One more thing – this link came to me via an email from Manchester Poetry Library. Enjoy!

Exploring cities through poetry. (poetrycities.co.uk)

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