And the second launch …

… was a blast!

The Dublin launch for TIDAL was held on 16 October, along with that for Paul Perry’s Clockhammer.

John Walsh from Doire Press did the intros this time around. Much gratitude to Anne Tannam who launched TIDAL in Capital City: her speech was insightful and generous … just like the woman herself. I can’t speak highly enough of her support. She was so busy and yet found time to write a blurb for the book and to do the honours on the night. Míle buíochas, Anne! I changed the reading list somewhat, reading a couple of poems about my parents that I didn’t trust myself to read during the launch in Clare. And having surprised that crowd with the ballad that is a part of the final sequence ‘And What Else’, John asked me up at the end of the evening to do it again. I wasn’t ready for that!

It was nice to have a double launch. I was up first, then I could sit back and enjoy Paul’s work. We had a full house, in a great venue. It was my first time in the Teacher’s Club. The rooms are fantastic – of course, they’re in a Georgian building! – and the club bar was next door, which was handy for afterwards. Séamus, a pal, was in deep conversation with an older man in the bar as I was heading off. ‘Come here and hear this!’ It turns out that the building we were in had been owned by a well known music and singing teacher, early in the last century. People who had sung in the room we had been in included opera singer Margaret Burke Sheridan, soloist and oratorio singer John McCormack, and James Joyce. I’d sung in the same room as the man himself.

‘I’ll take that!’, I said to Séamus, as I headed off into the Dublin night. What an end to a great evening.

TIDAL is available in independent bookshops, and they will order it in. OR you can buy it directly from the publishers, Doire Press, by clicking here

I’ll be back in Capital City on 6 December – reading at the Irish Writers Centre’s Christmas get-together. There have been offers from a few festivals for next year. But first it’s Galway – the City of the Tribes – next week. You have been warned!

The First Launch!

… and YOU are invited!

It’s countdown to Saturday, when my new poetry collection TIDAL will be launched in Ennis at the DeValera Library. 

The writer Kate Ennals is doing the necessary – thanks for the taking on the job, Kate! You can find out more about Kate’s work by clicking here.

If you can’t get to Ennis, I’ll be having a joint launch in Dublin next month with Paul Perry – whose new collection is also published by Doire Press. I’ll post more info closer to the date.

In the meantime, here’s a link to the book at the Doire Press website, and you can always buy TIDAL, or order it, at your local independent bookshop … because that’s what nice independent bookshops do!

I hope to see some of you in Ennis.  

Thanks for your support. We’d be nothing without our readers.

‘Twas in the Month of June …

Things got busy last month.

I started with a pre-booked week in Annaghmakerrig at the Tyrone Guthrie Centre. It’s a miracle I got there – the latest addition to the McDonnell household cost me the week’s stay in vet bills!

Meet Nutmeg – 

nutmeg

Well, Nutmeg was left in the care of her ‘auntie’, and I headed off to Monaghan in the hot but glorious early summer to do some concentrated work on my next collection. This time I was staying in the ground floor Morning Room. Stick with me long enough and I may show you photos of every guest room in the Big House!

TG desk view  TG bookcase

TG desk

Aren’t the shutters and the panelling beautiful! Unusually for Ireland, I had to close the blinds to keep the sun off the laptop screen, and it was too warm to sit out before lunch. Some of the hardy lot went swimming in the lake. As always, the food was delicious – especially the salads. We all met up in the conservatory on the Friday evening for a read through of work, and chat of course. The moon had risen over the lake as I made my way back to the Big House. A magical stay.

I stuck to the desk for most of the time; closing the laptop on evening after 10pm. One morning I lifted my head and looked out the bay window to see a hare sitting on the lawn in front of me. More magic.  So much got done: at least 14 new or redrafted poems and more submissions than I had thought about. (But of course some rejections have come in already – har, har.) Also, prep work on a bursary submission which I finished off at home. Fingers crossed, loveens!  

My last full day there happened to be my birthday. I headed into Newbliss for the paper – they were busy in the fields making the most of the sunshine and dry weather. I drove a few kilometres up the hill to drop by Tyrone Guthrie’s resting place. (Actually, it was his birthday yesterday.)

hay guthrie grave

The next day, I broke my journey home; staying with two dear friends who live in Longford. They spoiled me rotten: espresso cocktails and a deee-vine homemade chocolate birthday cake. What a perfect way to end a working holiday. Where would we be without our friends?

cocktail      birthday cake                  

And it was back to work, big time. I had to prep and deliver a talk/reading for Clare County Libraries to commemorate the 100th anniversary of Yeats being awarded the Nobel Prize for Literature. The event was a part of the national Decades of Centenaries project. It took a bit of figuring out – Yeats in an hour, anyone? In the end, I went for some themes: looking at his time in London, his family, Maud – of course – but also his George and his children. And, given where I live, the West – Coole, Lady Gregory and all of his friends, Thoor Ballylee, and finally Sligo and Ben Bulben – with poems to accompany the slides. We had a good crowd. I challenged myself and am glad I did.

Yeats              banner books

The last day of the month found me in Kilrush, in west Clare.  Sally Vince has opened another branch of Banner Books in the town, and it’s thriving. The space lends itself to being a venue for readings and they have started monthly open mics on the last Friday of each month. Worth keeping an eye out for on social media, especially if you happen to be holidaying in the area. It was a shame the weather had turned – it was non-stop rain last week. Even though I couldn’t get out of the car, I drove up to Shanakyle graveyard and waved a greeting in to my great-grandmother. Back at Banner Books, I read a poem about her from my first collection, one about her father that was published in the Irish edition of Coast to Coast to Coast, and new poems relating to my Kilrush ancestors and holidaying in Kilkee. ‘Hanging out with Che’ got its first hearing – as I said to the listeners, it came with terms and conditions. It’s always a bit scary bringing a very new poem out into the daylight!  There may be a few tweaks, but it’s nearly there. There was a good turn out and a great variety of work – in style and content. It was lovely to meet up again with Thomas Lynch – who read two poems. He’s over from the States, in the ancestral home in Moveen at the moment.

So, yes, a busy month. Another project was slotted in too, but I think it needs a separate post. June’s The Western Skyline was also my final show for Kinvara FM. I have a lot on my plate between the work I do to pay the bills, family commitments, and trying to make my next collection the best it can be. Something had to give and, for now, it was the radio show. I’ll miss the studio and I thank my fellow volunteers for their friendship and all the radio fun. But, you never know: maybe when I’ve retired …. 

As I used to say at the end of every show, Take care of yourselves. ‘Til next time.

radio station

Project Management

It’s always there, the admin. I’ve managed to load up all the photos from my phone and now was seems to be an everlasting task of sorting them is going on. That includes research and poetry events/publicity photos. Never. Ending.

It has been an interesting few months in terms of where the work is going. The last of  the research trips to Dublin that were funded by the Arts Council of Ireland Agility Award took place in October. It coincided with the opening of a new exhibition at the Chester Beatty about early papyrii and texts. The First Fragments exhibition is still running and you can find more details here. The then head curator Kristine Rose-Beers took me on a tour, and then she and her colleagues welcomed me to their conservation room. Kristine has moved to a new position with Cambridge University. I’m so grateful to her for her hospitality at a busy time in the museum, and I wish her all the best with the new job. The conservation room visit ,in itself, has yielded a new poem!

I also revisited the Art of the Book gallery, which hosts a variety of treasures: old tablets and a stylus, Japanese and Chinese scrolls, early and mediaeval books, Durer prints, along with other 18th and 19th century prints, and many books. I have taken a LOT of photos as part of my research – purely to keep my memory working. There was time at the Silk Road Café – as always! – to take a break and make some immediate notes.  Probably a third of the poetry collection has been sketched out; between my notes, photos and the online lectures from the Chester Beatty I have definitely enough material to see me through.

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Last autumn also saw the publication of Vital Signs, Poems of Illness and Healing, edited by Martin Dyar, and published by Poetry Ireland. It is the first time a poem of mine has been anthologised without my having submitted it, and I was chuffed to bits – especially when I saw the company I was keeping!

It’s a wonderful volume, and would make a great gift.  There’s a fine selection of modern Irish poets and also poems from other countries and eras. Thanks to Martin for including my poem ‘My Grandfather Battles Death’, from my first collection This Little World.  I travelled up for the launch in Dublin at Books Upstairs, and took part in a featured reading from the anthology in February this year at the University of Limerick with poets Victoria Kennefick, Eoin Devereux, writer Donal Ryan, and Martin Dyar. It was a lovely event, ably hosted by Eoin and supported by Liz Kelly, the director of Poetry Ireland.

The new year started in an interesting way. But that’s another story!

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Editor, Martin Dyar, speaking at the launch of Vital Signs

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Wow!

Three years ago today, as a way of dealing with Covid lockdown, the former US Poet Laureate Billy Collins started a poetry broadcast on Facebook. That first evening – cocktail time where he lives! – it was his birthday.

Since then the little community of viewers and comment-makers has grown. Billy and his wife Suzannah have continued the broadcasts, even though the world has opened up and he is in demand for live events and readings. A second book has been published since the broadcasts began.

Some of the regulars sent birthday and thank you cards to celebrate the third anniversary. Last night’s broadcast was fun. What blew my mind was that the birthday boy read out one of my Burren poems, Super Moon.

Chuffed. That’s what I am.

Here’s a link to the broadcast. Hell, you might even join the rest of us on Tuesdays and Thursdays! Once the clocks go forward at the weekend, it’s at 10.30pm Irish time.

Copy link to the Poetry Broadcast 21 March 2023 when BC read my poem Super Moon.

https://fb.watch/jpUPJfQIHp/

And the craic was good …

Last winter I was awarded an Agility Award by the Arts Council of Ireland, which is helping me to research and make early drafts of my next poetry collection. I’m incredibly grateful as I wouldn’t have had the cash needed to fund what I hope to do: three short research stays in Dublin and two writing residencies over the coming year.

Surgery meant a delayed start to those plans, although I’ve been able to do online research and attend online lectures hosted by the Chester Beatty in Dublin – the subject of this project.

So, last week found me in Co Down in Northern Ireland, at the River Mill near Downpatrick. As I’ve discovered with other writing retreats, the best laid plans can often change once one gets one’s feet under the desk! I had an idea that I would work on a sequence for the book. Instead, I spent time putting online research in order – something that may appear to be procrastination, but it’s essential for accessing stuff easily. I created new work, possibly got another working title, and from that a new poem that (right now) I want to be the last poem in the book. This is a project where I want to stretch myself more; to be more fearless in how I approach shaping the ideas. I hope that I’ve begun that process in the past few days.

Looking forward to visiting the Meeting in Isfahan exhibition at the Chester Beatty later in the summer.
(c) Karen J McDonnell
Cosy bed and a lovely desk. I’ve asked Paul, who owns the River Mill, to give me first dibs if he’s ever getting rid of it!

Continue reading

Still pinching myself …

In my previous post, I mentioned that I had a bit of good news while I was staying in the Tyrone Guthrie Centre. I had to keep my mouth shut until the public announcement a week ago. My poem Driftwood made it to the shortlist of the Irish Poem of the Year at the An Post Irish Book Awards 2021. The poetry award is sponsored by Listowel Writers’ Week, which makes it extra special in my eyes.

Listowel Writers’ Week has been a pillar of the Irish writing community for 50 years. I’ve a huge fondness for them: after Storm Emma forced the cancellation of the 2018 Ennis Book Club Festival, Listowel offered EBCF a slot later in the year at their own festival. Such a generous act of solidarity.  A few years ago, I managed to get to the festival and spent a fab week attending a travel writing workshop with Mary Russell in the mornings, then going to events the rest of the time. More recently, I read there as part of a festival event hosted by poet Annemarie Ní Churreáin. That was a lovely evening, made all the more magical when I realised that Brendan Kennelly was in the audience.

Co. Kerry and the Irish poetry community bid farewell to Brendan recently and – in the same few days – we bid a farewell to Máire Mhac an tSaoi. Quite a blow. If you are new to their work, click on their names for links to their bios and work. Many Irish people have their ‘Brendan’ story. I have one myself – maybe I’ll share it another day.

My thanks to everyone in the Writers’ Week office, especially Sharon who broke the good news and kept me in the loop! Thanks also to poet Ian McMillan who chose the four shortlisted poems. I’m in fine company; the big celebration is being on the list at all!

You can read our poems here and you can vote here. Voting closes on 15 November and, COVID numbers permitting, the winners will be announced at a live event in Dublin on the 23rd. Just the idea of meeting people in person is a joy!

And here is a link to an interview that I did with Clare FM about being on the shortlist, and my writing life:

Irish Poem of the Year shortlist 2021

Another week in paradise

TGC Oct 2021

Well, who wouldn’t consider this an offshoot of Paradise? Especially when the view from the desk is this –

TGC Oct 2021 view from John Jordan room TGC Oct 2021 ready to work

That was me six days ago, the desk all set up for a week’s work at the Tyrone Guthrie Centre in Annaghmakerrig, Co. Monaghan. Previous visitors to this website/blog will know how much I love this place, and the people who work here.  This stay was a long time coming. I was lucky to have received the 2020 Tyrone Guthrie bursary from Clare Co. Council & Arts Office. COVID delayed my arrival by a year. It has also placed a great deal of extra work on the staff here, who are going above and beyond the call of duty to keep the ‘creatives’ safe. 

This time I’m in the John Jordan room, and I like it very much. I especially like the artefacts that once belonged to the Guthrie family or that have been found in the actual fabric of the house – such as this linen inventory that was stuck to a panel of a door. 

TGC Oct 2021 Linen list

I’ve just realised that I haven’t had a good snoop at the bookcase yet. Time to do that after my last dinner this evening. Yes, tomorrow it will be time to leave. And before I shut down the laptop and head downstairs to join my fellow writers, an artist, and a musician, it’s a good idea to think about the work. 

It was a mixed bag this time around: reading around my next project/new collection, researching and drafting some radio essays and a long poem that I’m working on, and a review of neglected drafts in an older notebook. I’m happy that I got through the daily lists I set myself. Today was the toughest: some of those earlier poems were drafted in grief; waiting to be reviewed and reworked. Lying in wait to ambush me.

I worked through five poems today and, while they may not be at the final stage, they are certainly in a lot better state than they were this morning. 

I keep this old birthday card with my notebooks to remind me of the age-old truth: ‘poems are hard’!

Poems are hard Oct 2021

Apart from the focus that time at Annaghmakerrig allows me to give to my writing, the fact that there’s no TV and that I don’t have Netflix on the laptop means that evenings are given over to reading and actively listening to music on my iPod. I finished Jhumpa Lahiri’s Whereabouts at the weekend, and I’m now reading Shadowplay by Joseph O’Connor. It’s a novel about Bram Stoker and his relationships with Henry Irving and Ellen Terry. In a previous life, I had to research that era in theatre history: the days of melodramas, Shakespeare, and the well-made play. I still own an old biography of Ellen Terry. With the evenings drawing in and the leaves turning, it’s a good time of year to be reading about lime-lit theatres & Victorian London. 

TGC Oct 2021 downtime

Annaghmakerrig – where you learn to balance work & time out.  A writer’s paradise – where you’re greeted like an old friend & you make new friends. 

Grateful doesn’t begin to describe how I feel this evening. 

P.S.  Having arrived with two recent rejections under my belt, I leave with a bit of good news. More about that in a while!

Opening up

Poetry Town logo Sept 2021

September was a crazy month – as if opening up further during COVID was a fever in itself.

Don’t get me wrong – it has been great! A month that included a few days in west Clare with my family, and visits from friends who live abroad, or have just recently moved home. Plus Real. Live. Events.

Thanks to the wonderful initiative from Poetry Ireland, Ennistymon in north Clare was one of 20 places designated a ‘poetry town’. The place was full of poetry for over a week: in shops, appearing on the streets after rain, in schools, and during events held outdoors and – gasp! – indoors too. Not least of these events was the Poetry Town launch, when we heard the Ennistymon poet laureate Grace Wells read her poem especially composed for the project. But there was a bonus for us: another long poem that Grace had written for Ennistymon – a copy should be given to every household in the town. It was marvellous – making the point that there’s an Ennistymon for everyone, including the poet herself who made her home there a few years ago. Sarah Clancy was MC for the event, and Siobhán Mulcahy – Arts Officer for Co. Clare – gave a lovely opening speech. Afterwards a few of us sang or read poems.

I said on social media that it was a fantastic feeling to be back with my tribe. And I wasn’t the only one who felt a bit emotional. As the Beatles sang, It has been a long, cold, lonely winter. One that lasted well over eighteen months for many of us in the Arts world.

Poetry Town Ennistymon 11 Sept 2021 launch #2Poetry Town Ennistymon 11 Sept 2021 launch

As if that wasn’t enough excitement, I was asked to give a workshop to secondary school students as a part of the Poetry Town Ennistymon week. On the 16th of September, I met forty students from third year at Scoil Mhuire to discuss ‘Why Poetry?’. Thanks so much to their teacher Mary McGlennon and the students for their welcome. We still had to observe COVID protocols, and I would love to have had more time, but we managed to look at the sonnet as a form – especially in the play for the Junior Cert, Romeo & Juliet. Having shown them an example of an erasure poem, the girls were given copies of poems they will be studying later and invited to dive in and create erasure poems of their own. Take that, Heaney and Owen!

Scoil Mhuire Ennistymon workshop 16 Sept 2021

Photo courtesy of Scoil Mhuire Facebook page

Some Twitter exchanges resulted in a poets’ coffee morning at The Larder Café in my home village. Sarah, and Grace arrived from up and down the road, while Nessa and Leanne & Georgina were visiting. Such a nice way to spend a morning, and we were blessed with the weather. Thanks to Peter for the photo!

Poets' gathering The Larder 23 Sept 2021

September ended with my study/library still in a ‘state of chassis’: having pulled it apart and culled a lot of paperwork, I’ve decided to redecorate. But that will have to wait. My sister is CAT-sitting, and I am typing this during a writer’s residency that began a couple of days ago.

To be continued. Which is how I hope it goes creatively for the rest of 2021!

Take care of yourselves, loveens, and keep the dastardly COVID at bay.

So Much To Choose From, So Much to Do

Well, loveens, how are you all?

During these strange COVID times it sometimes feels as if my writer’s mind has been running mad in all directions, and with very little new work to show for its activity. The ideas are coming; sometimes at ungodly hours in the early morning. Other times, they are like the birds in my garden flitting from feeder to feeder – using up too much energy without anything to show for it. There are a couple of extended poems working their way through. The long-term project is still at research stage, but every engagement brings a strand or an-almost-idea brushing past my inner eye.

The one thing we writers are all familiar with now is the ‘online life’: whether it is one of shared readings, attending festivals, workshops, or book launches. I started with a sheet of paper last year: just a small list of events lying on the kitchen table to remind me what was coming up on any particular day. That scrawled list has grown to a closely written five pages.  I’m booked into April, and there’s no end in sight!

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This morning’s offering was from the Mountains to Sea DLR Festival in Dublin. Poetry readings from Paula Meehan and Tishani Doshi, with a discussion hosted by Doireann Ní Bhriain.  It was just marvellous. The readings were full of light and heft – the discussion clear and generous. What I loved so much was the grounded knowledge that both of these women have: knowledge of their craft; a solid sense of their creative selves as artists – both within the spaces in which they make their work, and in their relationships with the outer world. I could have listened to them all day.

Mountains to Sea Festival 27 Mar 2021

Looking through my nine months-long list, I’ve ‘attended’ lectures and seminars from Cambridge Literature Online, our National Library’s Seamus Heaney exhibition centre, the Heaney Home Place, Berkley University for a Classics lecture from Mary Beard, and the University of Manchester for lectures by Michael Wood and David Olusoga. I’ve dropped into Liverpool’s Arab Festival to hear one of my favourites, Tim Mackintosh-Smith, chat with Denyse Woods about his ‘3000 Years of Arab History’, while catching up with Samantha Power chatting to Olivia O’Leary at the Kilkenny Festival. Not to mention taking in the performance at that festival of the dramatisation of Mike McCormack’s ‘Solar Bones’.

There are been workshops for writing practitioners, workshops about reviewing poetry, writing poetry, a film about the Brontes, Roy Foster from New York, war poetry in November from the War Poetry Society in England. I’ve continued with my own research thanks to webinars from the Cheater Beatty in Dublin on subjects such as MSS conservation, Japanese fudos, and the story of Beatty’s collection of medieval Books of Hours. The business side of things has been attending funding/bursary information sessions. Can’t let that side of things slide, can we?!

In the last month, I made my first poetry video which was broadcast as one of the shortlisted poems at the 2021 Trim Poetry Festival (online again this year). And a spur of the moment entry to the Cercle Littéraire Irlandais Writing Women competition saw me reading as a finalist, ‘in Paris’, at the end of the magnificent evening hosting the French Cultural Minister’s awarding of the Ordre des Arts et Lettres to Edna O’Brien. It was such a moving event: it’s worth watching the ceremony here. Edna is one mighty woman. Her speech was superb.

The wee bonus was that my parents were zooming in to watch, so there was great excitement when it was announced that I had won the competition.  It was my mother’s first Zoom experience. My sister-in-law said she was still hyper about it days later. Every little thing helps to break the lockdown monotony!

This week, I took a poetry workshop from Birmingham with Liz Berry. And to give the whirling dervish that is my poetry head a bit of time out, I’ve begun four weeks of short fiction workshops (live from Cork!) with Billy O’Callaghan. If you haven’t read Billy’s work, off you go and check out his novels and short stories.

I’ve a date with Hilary Mantel in April. It’s mind-boggling, this zooming around the world. It can be a distraction, but I’m hearing wonderful ideas and work. Some of it is free, some of it paid for. But I know that living in the wild west of Ireland, at the edge of Europe, it would have cost me a fortune to attend some of these events in person. It’s a strange gift that the pandemic has given me. It’s a lonely gift much of the time. But then, at a book launch, or a reading like the one this week by poets Nessa O’Mahony and Eleanor Hooker, familiar names pop up in the chat and comments.

Our little band, our community of writers, is out there: sharing the moments; wrapped in comfort blankets of words and online fellowship.

As dear Sam put it: [We’ll] go on.

One more thing – this link came to me via an email from Manchester Poetry Library. Enjoy!

Exploring cities through poetry. (poetrycities.co.uk)

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